best of album des electro-pop-trios pollyn aus los angeles, das, inspiriert von portishead, gorillaz und talking heads, im laufe der zeit von matthew herbert, dj harvey und moodyman geremixt wurde, aber auch selber bands wie gorillaz, liquid liquid, buffalo daughter und death from above remixte. coloriertes triple-vinyl (lp1 rosa, lp2 weiss, lp3 blau) inklusive der brandneuen single -findaway feat. alexis taylor (hot chip).

this album has been many years in the making. around 2005 we were gigging, playing hip hop breaks and supporting acts like krs-one and raekwon. we wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of -one mic- recordings onto a mini-disk player. tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. a short list of 30 were chosen to record properly. a basic studio was booked, and recording began, initially it was pretty basic, just drums, bass & keys with guitars overdubbed the following day. with these foundation rhythm tracks tom went away and edited them, creating structure, extra layers and demo mixes. these demo mixes were used to send to mcs. it was decided to go with american mcs as the type of thing we listened to when we wrote a lot of our material was classic 90s hip hop. el da sensei & sadat x were the first to respond to our request, and soon features were flying through ever other week. we actually had enough material for 2 albums, but picked what we wanted to represent our first release and continued to develop the material, including adding session musicians for harps, brass, strings and cuts. we chose 4 tracks to create videos for and got the ball rolling with various video makers. the final year was spent mixing, sequencing and deciding on artwork. the title cinder hill is reference to where the band spent many afternoons practicing at john & joe’s parent’s house, their mum maggie passed away in 2016 and the album is dedicated to her for her endless support and love for the music.

spoiled drama reemerges exhibiting their darker side on -this is our mission-, their debut on the label embodiment of berlin s fleisch collective. the five track ep exhibits a unique range and dexterity, blurring lines between the realms of techno, ebm, acid and electro with a touch of maladjusted pop and post-punk. from the anxious beat and shimmering tones of -another death experience- to the ritualistic war drums and heavily distorted vocals of -kisses are out of fashion-, expect to feel dizzied, unnerved, yet beckoned to move. the eponymous track closes out the ep in an undeniably drexciyan fashion, low-pitched vocals emerging from watery depths in lush sweeping pads and dissonant melodies. a mission accomplished with style.

double vinyl gatefold album with heavyweight black vinyl, 20pp booklet, 30cm x 30cm art print and downloadcode.
the desecration of desire is the first album in 14 years from techno heavyweight dave clarke. the follow up to his acclaimed 2013 album devils advocate the new album is a dark, ruthless journey including features by mark lanegan, mt. sims, gazelle twin, anika and louisahhh and reinforces his title as the baron of techno, a moniker given him by the late, great bbc radio dj john peel.

standard 140 gram red double vinyl in gatefold sleeve with downloadcode.
the desecration of desire is the first album in 14 years from techno heavyweight dave clarke. the follow up to his acclaimed 2013 album devils advocate the new album is a dark, ruthless journey including features by mark lanegan, mt. sims, gazelle twin, anika and louisahhh and reinforces his title as the baron of techno, a moniker given him by the late, great bbc radio dj john peel

chief zk bucket is back on the his very own zaun records... hammered already to death by his biggest fans :) a must have!!!

following some ear-catching manoeuvres across releases like last year s self-released only and lagata , which gained her early fans like bjork and dev hynes (who she supported in the usa), tommy marks klein s deepest plunge yet into the “deep, dark ocean” of her musical imagination on her hyperdub debut. on tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to brandy and rodney jerkins, her live voice and live piano playing filtered through hyper-glitchy and looped production with a loose, internal logic, cutting from angular atonality to pockets of skewered harmony. tommy also steps things up in conceptual terms. its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a shakespearean sense of tragedy. there s a lot of bluster about originality in contemporary uk music and what rises from the noise here is a creative voice who, by her very nature, plays with the construct of what pop is

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

after nearly half a decade since their monumental make it good, dj tennis and fink re-collide on !k7. inspired, recent studio sessions have bore two breathing, sonic landscapes, entitled certain angles. glimmering pianos, droning machines and captivating songwriting take form, wrapping the berlin-based singer’s voice in subtle melancholy. both humbly understated, yet party-ready, certain angles perfectly summarises the life and death founder’s recent etching in the dj kicks stone. dj tennis has also called on four of his most trusted allies to reinterpret the 12&#8242,,,, with four digital-only remixes: the/das deliver a pensive moment of bubbling body music. francesco leali appears with a timeless, genre-bending re-perception as opus 3000. lee jones salutes the faithful dancers. mentrist’s unclassifiable excursion challenges the towering borders of techno.

kai hugo eulogizes our dear cindy through new palmbomen ii music and a surreal, neo-noir lens, chronicled over a series of four 12inch eps and public access television transmissions. crack open a refreshing apple shorle tm, and direct your remotes to channel bis to experience an initial offering and explanation. the first three palmbomen 12inches, memories of cindy pt. 1–3, will be available exclusively on vinyl. memories of cindy pt. 4 will be available exclusively as a box set including the first three 12inches. each set includes a unique, pre-tragedy polaroid portrait of cindy taken by kai hugo. edition of 350.

london based electronic music label khemia records announces its sixth split release vinyl ep. the second edition of the magnum opus series on khemia records features a new production from berlin based modular powerhouse blush response alongside an electrifying collaboration between years of denial, who have previously released on oliver ho’s death and leisure label and russian techno auteur alexey volkov (jealous god). on the solar side blush response delivers ‘you will cry out in grief’ a maelstrom of industrial electronics seethes under a furious barrage of complex rhythms, as evolving symmetries disperse into incandescence. on the lunar side years of denial meet alexey volkov in the first of a new collaborative series - ‘confess’. barkosina hanusova’s voice ricochets against caustic snares as she intones a fetishistic ritual of contorted flesh and altered states.

the album’s title makes a direct and heartfelt reference to a real-life l.a. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and youtube tirades. “his book and life resonated with me to such a degree,” pink states, “that i felt a need to dedicate my latest record to him.”

geodetic is the joint venture of well-known italian experimentalist claudio rocchetti, a close collaborator of valerio tricoli, and jukka reverberi, founder of post-rock band giardini di mirò and half of cosmic electro-disco duo crimea x.instruments of discipline is proud to release cold lights , geodetic s second ep, the follow up to broken consonance , released on maple death records earlier this year. cold lights is an avant-garde undertaking that artfully weaves soundscapes that swing between murky industrial atmospheres to moments of uplifting levity, all held together by strong rhythmic grooves, a collage of at times familiar sounds juxtaposed into an altogether unfamiliar whole.

inner8 is daniele antezza, a multi-faceted thinker and electronic music producer, member of dadub duo, co-founder of artefacts mastering studio, dadub studio owner and holotone label manager, whose regular invocation of the term praxis begins to hint at his creative aims: a primary synthesis of contemplation and action that, in turn, encourages a secondary and entirely unpredictable set of syntheses dependent upon the listener s unique interpretation. though the inner8 moniker has been in existence for several years as a private nickname for, as antezza puts it, his -experimental anarchist sounds,- his recent releases are just now surfacing which will reveal just how much this project has to communicate.

after a short hiatus to axe on wax and his return to tieffrequent records monosoul is coming back to s4aw, too... monosoul s signature sound is still there and yet has changed a bit. more bouncing basslines, more deepness and more synth textures... on remix credits we ve got atlanta s very own byron the aquarius. 2016 was an exceptionally good year for him in the biz with releases on wild oats, sound signature, etc. in 2017 he will totally go big with his unique, deep - no frills jazzy impro style. so we re more than happy with his own chord jams making up a top notch remix. what s left to be said well like michael brody put it: nothing is more important than friendship. not money, not fame, not death. crew love is true love!

james bond - original motion picture soundtrack

epical cinematic pop moments, sexy and electronic! on her second album, elena alice fossi, better known as the singer of the italian cult-group kirlian camera, promenades through tinsel town in high heels with her all-girl band spectra*paris. at the edge of pop, glam-rock, alternative and electro, the alluring ladies are spicing up today’s music scene with fresh energy, inviting you to a glittering homage to the glamour of the big screen. with her powerful, versatile and matchless voice, elena alice metamorphoses from innocent girl into grand diva to savage rock singer, gracefully moving through her sonic short films, ranging from spy stories to horror flicks, with distinguished pop-appeal. “license to kill” is released as a regular cd album containing a warholesque, punky bonus dvd and as a strictly limited, lavish fan-box containing a clear vinyl version of the album, a poster, a patch and a classy shape-cd-membership card including an exclusive, previously unreleased track. limited to 500 copies!!

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

a1 is a deeply psychotic acid death march into confusion, so minimal and primitive (kick, snare, acidsquelch) it will challenge every beard and armpit and might even hypnotize the dj to the point he cannot mix in the next one. a2 is a straight up commodore 64 sid track with mongoloid data elephants tooting over a wobbly and tarded electroish beat. b1 is a dystopic dreamy rave stomper, starting out kinda datacuddly but gets more and more serious, with choirs of fable mooers taking you into that virtual bad trip you need. b2 continues as expected with more c64 sid madness, so snary i cant even determine if its in 115 or 230bpm.

the *iron man* original motion picture soundtrack on black 180 gram vinyl.

this is the second in a reissue series of dominick fernow’s early work as rainforest spiritual enslavement, casting spells from the green amulet crafts supernatural qualities (2011) tape onto vinyl for the first time and steadily closing the gap in your rse collection.
something like the soundtrack to one of ballard’s prophetic visions of sunken cities, this second rse incursion was initially released in an edition of 63 tapes in 2011 and found fernow dwelling in a dread-fuelled, paranoid headspace.
prssing on translucent green vinyl.

pittsburghs most loved sons, the modey lemon, rip through 3 years of silence with their new record, season of sweets. with one foot in the sci fi darkness of their last record curious city, one foot in their past garage angst ridden wreckage and one foot in the kautrock brilliance of the german frontier (what, three feet?) season of sweets is a fuzzed out, driving masterpiece with catchy hooks beaten to death by guitar / synth mayhem and the anchor of paul quattrones drums of passion. as primitive as it is futuristic, modey lemon is recreating the present, molecule by molecule, every second of every breath. the trio from pittsburgh returns with another helping of sugary sweetness that rots your teeth and leaves you wanting more. recorded during the dead of winter in pittsburgh, pa at the brass factory. mixed and recorded by jason kirker, member and principal noisemaker. the last 2 years have been very, very interesting for the band. after signing with mute recording in the uk and playing the granddaddy of all venues, the fillmore opening for dinosaur jr., the band took some time away to regroup and work on new material. the result is season of sweets. driven by drummer extraordinaire paul quattrone, the songs twist and turn through the imagery and dark rock that has made modey lemon famous. jason kirker (engineer and band member) uses various keyboards, moogs and instruments to make the sound more full. at the heart of this album is the energy and mysticism singer phil boyd leads you on. track number 5, become a monk is the more pop oriented and accessible track, with a great back beat and bass.

the artists featured on this release were carefully chosen in order to create an eclectic sonic journey.
on the a side, two tracks from playful death, a producer whose sounds are influenced by comics such as biomega and the invisibles.
the first track on the b side is from yxan, which is micheal idehall’s techno alias. michael is a multi-talented artist who leads a publishing house called belzebez that also features many of his own artworks and has had releases on prominent labels such as ant-zen.
next up is necropants a producer who enjoys roaming around graveyards and and seeking out ancient burial mounds. the last track on the b side was created by bellatrix?, an up and coming producer from verona, italy who has recently released an excellent ep on the veleno viola imprint. bellatrix? also heads a tape label called culto verona.
all of the artists selected for this v/a embody what nightshade represents, the devil is in the detail.

king tubbys music & dub store records veröffentlichen soundclash dubplate style pt. 2. das album beinhaltet 10 titel von verschiedenen künstlern.

weaving sophisticated orchestral scores with spacious electronic production, oofjs baroque modern pop perches on the edge of contemporary music, overlooking both the familiar past and the anything-goes future. after bonding over their mutual love for french synthesizer music, all things russian, and serge gainsbourg, jenno bjørnkjær and katherine mills rymer formed oofj, whose distinctive chilled-out sounds find their way deep into your ear like an electronic ind gyrating with eerie symphonies plus the delicate sound of expensive-lingerie vocals, that could make you cry in a good-looking way.

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt

since his untimely death at the all too young age of 32 the world has grown to appreciate the work of j dilla even more than when he was alive. there’s an ethereal quality to jay dee’s works, part boom bap but more mellow. mellow, but never soft. and dilla never stopped making beats, his mpc was by his side until the very end. it now resides in the smithsonian. due the prolific nature of his beat making, the world is blessed to have stacks of dilla material – some coming to light even this many years after his passing. in the world of hip hop, no one’s mother is more famous that ma dukes. go ahead, name check chuck d’s mom or chance the rapper’s mom or ti’s mother – without hitting google. and one of the reasons we all know ma dukes is her tireless effort to maintain dilla’s legacy. this release is yet another step in that direction. presented here, from the official ma dukes collection, are 15 works by jay dee from deep in the vaults, being released on vinyl for the first time.

…speaking of air and darkness, “born on a gangster star” came into the world in a big damn hurry, like nightfall on an island. you can see it happening, but then again it’s so gradual that the next thing you know - it’s dark.
imbued with the energy and ideas from all the creative embers floating in the atmosphere like fireflies, shabazz palaces recorded this entire album over the course of two weeks with blood in seattle. new gear and new equipment disintegrated comfort zones into dust and a new path appeared in the rubble.
herein the palaceer continues the tale of quazars, a sentient being from somewhere else, an observer sent here to amurderca to chronicle and explore as a musical emissary. what he finds in our world is a cutthroat place, a landscape where someone like him could never quite feel comfortable amidst all the brutality and alternative facts and death masquerading as connectivity.
the vinyl release includes a download code.

the score to the second chapter of fargo features music by emmy nominated composer jeff russo, and the song soundtrack contains music from the pivotal moments of the limited series featuring artists like tweedy, bobby womack, fleetwood mac, the chieftains feat. bon iver a.o.
pressing on 180 gram audiophile vinyl, housed in a trifold sleeve. includes an 8-page booklet and an exclusive fargo ice scraper.

phat techno madness on three vinyl

1970’s experimental & electronic music recorded in soviet russia by yuri morozov. banned by the kgb for its esoteric content and references to forbidden spiritual texts, yuri recorded over 46 albums between the 1970s until his death in 2006. only available on cassettes passed around in secret within the russian music underground until now.

‘white punks on e’ is the taste of bike chains rubbing against black leather. heavy cast iron forged across studs and hot-wired organs. the howls from blazed skull hordes jacked up to distortion engines broadcasting into neglected cellar units. it s shrill echoes from the parking lot carried along the financial district, overturning lobotomised business lunches, attache cases and $50 slick-backs. nasty club rock fed through biohazard cassettes, doom arcades, sabres and scorpion tattoos - new blood to rock the neighbourhood and a pleasure to welcome stratton into the fold.

nice price deal !!! der kalifornische songwriter huldigt seinen helden mit gefühlvollen coverversionen.
inklusive code für freien mp3-download.

3lp with download card included.
dj-kicks has tapped up life and death label founder dj tennis for the next instalment in its long running and landmark series, which is due for release on 14th july. the italian is the first artist to ever be granted not one but two discs across which to showcases his style, and he doesn’t disappoint.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100

2019 repress , coloured 2x12 inch

!! coloured vinyl !! killekill sublabel
„umwelt’s 12inch “… city” from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional, it was abstract but also driving at the same time. this was 1999 though, before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop – and that was it. nobody knew this guy though, and i didn’t get my hands on any of the following releases, so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro, industrial and rave and everybody was talking about it afterwards, saying it was the highlight of the festival! talking to him i learnt, that most of the tracks he played were his own, mostly unreleased. he produces without computers, all his tracks are single takes, there is no editing, no mixing afterwards, he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks, which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me, and since working with him was so nice as well, i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12&#8243,, of. i got 14 tracks and after weeks of trying to pick the best, i finally realized i held one of the best electro albums ever in my hand – banging beats and the balls to go big and epic, subtle melodies, drama, funk – this album has got it all, and what’s most important, the music on it is the exact opposite of so much other music nowadays: it is emotional, it tells a story, it is easily recognizable and it is not interchangeable. it’s just umwelt.“ nico deuster

on the heels of the two the other people place releases in the early 2000 s another related mini album was already in the works. it never saw the light of day due to james stinson s untimely death. finally it resurfaced on a long lost dat tape.

all day i dream invites a few new names to the labels summer sampler season. alongside a few familiar ones too like lee burridge and lost desert with their much anticipated ‘absent without thoughts’. gab rhome and superlounge keeping it groovy. new music from new artists include budakid, phck and zone+, each one a unique flavor in dreamland.

the second edition of vicarious memories by these hidden hands realises 5 finely crafted remixes of last years expansive lp of the same title. this version features powerful reworks from telefon tel aviv, hypoxia, lustmord, jk flesh and death in vegas. telefon tel aviv offers up his reinterpretation of glasir a solemnly disconcerting reduction of the original flooded with warmth, depth and space. this is followed by a contribution from hypoxia aka the illustrious drumcell, who makes his mark on the beautiful vocalised track telepath, imparting a heavy sense of melancholia and depth on to the listener. a dark atmosphere is woven by lustmord on his remake of socotra, with its enveloping celestial melodies and ominous reverberating drones that unfold throughout. jk flesh boosts the energy of the release with his distinguishably distorted mix of industrial, dub and power electronics that shuffle and roll the listener along this spectrally bright reincarnation of dendera light. british producer death in vegas embraces the mystical facet of angkor, patiently exploring serene soundscapes with much depth and colour.

“once in a long, long while...” is the follow up to 2014’s “0”, which earned karazija a large new audience after his music was discovered by iconic japanese video game creator hideo kojima. kojima used low roar’s “i’ll keep coming” and “easy way out” on two high-profile trailers in 2016 for his death stranding video game starring norman reedus, mads mikkelsen, and director guillermo del toro.

sorgfältig zusammengestellte vinyl-kompilation mit remasterten afro-highlights.
aus dem ghanaischen musikstil highlife und us-amerikanischem jazz der 1960er-jahre fusionierte fela kuti einst das genre afrobeat. es hat in den vergangenen jahrzehnten schon so manche mutation erfahren, blieb aber immer eins: vitaler ausdruck ungebremster lebensfreude. wie attraktiv dieser auch für europäische ohren klingt, unterstreicht einmal mehr die lp-kompilation -wanted afrobeat-. sie ist bestandteil der exklusiven serie -wanted collection- des französischen labels wagram. die reihe widmet sich mit vier parallel veröffentlichten zusammenstellungen auf 180-gramm-vinyl den genres afrobeat, soul, funk und reggae, und damit dem besten, was black music zu bieten hat. was die editionen so besonders macht, ist neben dem sorgsam ausgewählten und remasterten songmaterial das ansprechende erscheinungsbild, das auf fotos des britischen fotografen chris steel-perkins zurückgeht. -wanted afrobeat- enthält neun songs von größen wie mulatu astatke, livy ekemezie, pat thomas und peter king.

solo project of vanishing twin (soundway) member. the song cucumuber sword feat. vocals by taishi nagasaka (fat white family) man from uranus has been making music inspired by the freakier edges of 60s and 70s library music and jazz for almost 2 decades, and like his predecessors - sun ra, space lady - he s never really fitted in, feeling more comfortable exploring cosmic realms than than with his feet firmly on his own planet. a prolific composer and home recordist, he has garnered a reputation for eccentric live shows, each presenting an entirely new repertoire. alien flowers, in a limited edition of 300, is one of few recordings capturing the spirit of an artist who is unwittingly on his way to attainting cult status. alien flowers has been played on nts, the wire s adventures in sound and music and the independent music podcast. support from the sunday experience, tom furse (the horrors), jonny trunk, doug shipton (finders keepers), emily bick (the wire) and anthony chalmers (baba yaga s hut).

produzentenalbum featuring ill bill, goretex, planet asia, chief kamachi, und anderen für fans von jedi mind tricks, vinnie paz, non phixion etc. die vinyl-lp erscheint inklusive downloadcode.

soul jazz records’ new boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. featured here are some the earliest hip-hop records that came out of new york city following the enormous commercial success of the first ever rap record, ‘rapper’s delight’ by the sugarhill gang, in september 1979. artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. by the end of the year there were 30 hip-hop singles, all released by independent new york labels. the following year there were over 100 more, and so on.
boombox 2 is a triple 180g vinyl set (+ download code) that features extensive text, exclusive interviews and stunning photography by jamel shabazz, martha cooper and others.

nice price deal !!! fine electronic house/electronica from the uk. includes chateau marmot, kissy sellout & fan death remixes